Traversing the gritty streets from Chicago to Las Vegas, Annabelle Lopez Ochoa's latest ballet is a tempestuous saga where mafia families clash in a dance of destiny. 'Blood calls for blood,' they say, and Ochoa's choreography is steeped in this vendetta. She invokes the shadows of West Side Story and The Godfather, not merely as references but as compass points, guiding us through the murky waters of power and revenge in the 1950s.
Ochoa's genius lies in her narrative alchemy, blending the allure of cabaret with the raw energy of street brawls. This ballet is not just a performance; it's a theatrical revelation. Ochoa doesn't just choreograph movements; she sculpts emotions, each step a testament to her acclaimed mastery.
The music itself is a protagonist here, a vibrant tapestry ranging from the dizzying spins of a waltz to the sultry embrace of a tango. We move from the genius of Piazzolla to the timeless Bach, each note carrying the weight of the narrative. It's a cinematic journey, a seamless blend of the shadowy intrigue of film noir, the wild heart of vaudeville, and the undeniable charm of Broadway. It's a symphony of movement, a dance of light and shadow.
"She's not just dancing. She transmits, with a grace coupled with a rarely seen power, the emotion necessary to the viewer to dive into this story from today, yesterday and once upon a time."
Franco Nuovo parlant d'Anya Nesvitaylo, ICI Radio Canada
Prologue
In a music hall, the charismatic crooner Fred Buscaglione is prepping his act. He gets a ladder to hang the letters of the title of the story that he is about to tell. The ladder is stuck in the wing and when pulling hard, 4 Angels of Death appear at the other end of the ladder. They are ominous, not amused, and are threatening to kill him. But he promises to honor them in his story called V-E-N-D-E-T-T-A.
Act I: Forbidden Love
The curtains rise on Don Carbone, the fearsome patriarch of a powerful mafia clan in Chicago. Among his many children, his youngest daughter Rosalia shares tender bond with him, growing up amidst the brutal codes of the underworld.
At a gathering of Chicago’s three mafia families—the Carbone, the Bartoni, and the Trasi—a forbidden spark ignites between Rosalia and Stefano Bartoni, the son of a rival clan. They steal moments of passion in the shadows, their love unfolding in a dance of secrecy. But when their romance is exposed, a hush falls over the room, and guns are drawn. Stefano, understanding the rules of honor, kneels and kisses Don Carbone’s ring, formally asking for Rosalia’s hand. Against all odds, the Don gives his blessing, allowing a fragile hope for peace between the feuding families.
The Carbone estate buzzes with wedding preparations. Rosalia, surrounded by her friends, laughs joyfully, unaware of the tragedy to come. As the priest blesses their union, a man is coldly executed on a bridge. The celebration continues, brimming with dances, champagne, and music. But as the night progresses, the air thickens with tension. In the shadows, Alessio Bartoni, Stefano’s younger brother, burns with rage at being denied a favor by Don Carbone. In an act of revenge, he assassinates Rosalia’s older brother. As the festivities turn into mourning, Don Carbone watches his son’s lifeless body being carried away.
In the wake of the murder, uneasy peace settles between the families. Don Carbone and his remaining sons travel to Las Vegas, forging a lucrative casino deal. But while negotiating, Massimo Carbone—the youngest and most reckless brother—lets his rage take over, executing Enzo Bartoni in a reckless act of retribution. The mafia war reignites.
As the vendetta escalates, Don Carbone becomes a target. In a chaotic shootout, he is gunned down in the streets of Chicago, his body riddled with bullets. His loyal men rush to smuggle him away before the police arrive, but the damage is done. The era of Don Carbone is nearing its end.
Act II: The Ruthless Ascent
With Don Carbone bedridden, Rosalia—now heavily pregnant—returns to his side. In a heartbreaking farewell, she holds him as he takes his final breath. With his death, the delicate power structure collapses. The men of the family fight for control, but it is Rosalia who receives the Don’s final blessing and becomes the heir to the clan.
As tradition dictates, Rosalia’s newborn child is baptized in a grand ceremony. But behind the sacred rituals, a sinister plot unfolds. During the festivities, Rosalia notices the impetuous behavior of her younger brother, Massimo. Determined to consolidate power, Rosalia orders his assassination as his recklessness endangers the family’s future. As the guests raise their glasses in celebration, Massimo is lured outside and his throat slit. The Angels of Death, ever-watchful, silently bear witness to another fallen soul.
Having secured her dominance, Rosalia transforms into a merciless ruler. She governs not with fear alone, but with strategy and an unrelenting will.
When Stefano learns that his own brother, Alessio, was responsible for killing Don Carbone, Stefano is torn between loyalty to his family and his love for Rosalia. He confesses everything, expecting forgiveness. But in the mafia world, betrayal is unforgivable.
As the family gathers for Grandmother Carbone’s grand 65th birthday, Rosalia seals her husband’s fate. In the middle of the festivities, Alessio Bartoni is poisoned —a secret she will never confess to her husband.
Epilogue
Years later, Rosalia reigns supreme, feared and respected. She watches over her empire, her young daughter Rosa at her side—the next generation in a dynasty built on blood.
As Fred Buscaglione, the storyteller, takes his final bow, a gunshot echoes through the theater. The Angels of Death return to claim him at last. The world of the mafia remains unchanged. The vendetta never truly ends.
Last updated on March 27, 2025. Cast subject to change.
M = matinee
S = soirée
THE CARBONES:
Don Marcello: Felixovich Morante
Daniela, his wife: Yui Sugawara (8S, 10S, 12M, 13M), Vanesa G.-R. Montoya (9S, 11S, 12S)
Fabio, the Consigliere: Célestin Boutin (8S, 10S, 12M, 13M), Graeme Fuhrman (9S, 11S, 12S)
Rosalia, their daughter (adult): Anya Nesvitaylo (8S, 10S, 12M, 13M), (9S, 11S, 12S)
Rosalia, their daughter (young): Maxime Coulombe (8S, 10S, 12M, 13M), Maïa Mahutte (9S, 11S, 12S)
Carlo, first son: Bernard Dubois II
Marco, second son - all scenes except 2: Hamilton Nieh
Marco, second son - scene 2: Raphaël Bouchard
Massimo, third son - all scenes except 2: Raphaël Bouchard
Massimo, third son - scene 2: Hamilton Nieh
THE BARTONIS:
Don Vito: Melih Mertel
Sofia, his wife: Aurora De Mori
Giorgio, the Consigliere: Flemming Puthenpurayil (8S, 10S, 12M, 13M), James Lyttle (9S, 11S, 12S)
Stefano, first son: Marcel Gutiérrez (8S, 10S, 12M, 13M), Roddy Doble (9S, 11S, 12S)
Enzo, second son: Étienne Delorme
Alessio, third son - all scenes except 28: Angel Vizcaíno
Alessio, third son - scene 28: Thédore Poubeau
Luca, fourth son - scene 17: Leonel Alexander Rodríguez Pérez
Luca, fourth son - scene 23: Gabriel Beaupré
THE TRASSIS:
Don Antonio: Andrew Giday
Nicole, his wife: Tetyana Martyanova
Salvatore, first son - scenes 18 and 28: Antoine Benjamin Bertran
Salvatore, first son - scene 23: Théodore Poubeau
Gaetano, second son: Théodore Poubeau
Luciano, third son - scenes 1 and 6: Si Quan (Nicolas) Zhang
Luciano, third son - scene 23: Elias Shanski
The Singer: André Santos (8S, 10S, 12M, 13M), Célestin Boutin (9S, 11S, 12S)
The Murderer: Oscar Lambert
The Policemen - scenes 6, 20, and 23: Benjamin Poirier and Daniel Leger
The Policemen - scene 14: François Gagné, Daniel Leger, Benjamin Poirier, Oscar Lambert
The Priest: Thomas Leprohon
Altar Boys: Marianne Fau and Jasmine Bort
Casino Manager: Graeme Fuhrman (8S, 10S, 12M, 13M), James Lyttle (9S, 11S, 12S)
Angels of Death:
Prologue, scenes 1, 16B, 21, 23, and 26: Bernardo Betancor, Daniel Leger, Benjamin Poirier, Oscar Lambert
Scene 2: Bernardo Betancor and Benjamin Poirier
Scene 5: Bernardo Betancor and François Gagné
Gogo girls: Calista Shepheard, Tatiana Lerebours, Alexandra Eccles, Sarah Branch
Butlers: Antoine Benjamin Bertran, Étienne Delorme
Maids: Alexandra Eccles, Sarah Branch
Rosalia’s friends - scene 7A: Rose Trahan, Mai Kono, Anna Ishii
Rosalia’s friends - scenes 4, 22, 23, 24, and 29: Rose Trahan, Kiara DeNae Felder, Mai Kono, Anna Ishii
Rockettes: Kiara DeNae Felder, Tuesday Rain Leduc, Mai Kono, Aurora De Mori, Tetyana Martyanova, Sarah Branch, Alexandra Eccles, Carrigan MacDonald, Kiara Flavin, Sofía González, Maude Fleury, Tatiana Lerebours, Rose Trahan
ABOUT THE SHOW
Total duration: 2h25min.
Prologue: 7 min.
Act I: 52 min.
Intermission: 20 min.
Act II: 56 min.
LES GRANDS BALLETS
Music licensing: Music Rights Clearance
Mulberry Street:
Tarantella (Italian Dinner party music, 2008) 2:56min
Musica della Mafia :
E Fua Chiamatu (La Musica della Mafia, Vol 3) 1:49min
Cliff Martinez:
Never Read Him (The Nick soundtrack, 2014) 2:33min
Placental Repair (The Nick soundtrack, 2014) 2:29min
Eleni Karaindrou:
Stanley’s Arrival (The Birthday Party / Music for the Theatre, 2010) 1:11min
Heinrich Ignaz Franz Biber:
The Five Joyful Mysteries. Sonata 5. The Finding of Jesus in the Temple: Praeludium
(Biber: The Rosary Sonatas, 2005) 2:58min
Astor Piazzola
Oblivion (Music from Argentina for guitar and bandoneon) 3:34min
Performed by Enea Leone and Roberto Bongianino (used 3 times in the piece)
Perez Prado
Patricia (Patricia) 2:20min
Hugues Le Bars :
Secret Jardin (Musique pour Versailles, 2009) 0:45min
Arithme (Zinzin, 2002) 1:24min
Tonino Versace (J’en ai marre Part 1, 2009) 3:51min
Atra Aeterna:
Emergence (Machinations, 2011) 1:25min, by arrangement with Zachary Mitchell, publisher and copyright owner.
Hauschka:
Elizabeth Bay (Abandoned City, 2014) 5:40min, by arrangement with G. Schirmer, INC. publisher and copyright owner.
Knives:
Out of Touch (The way people are, 2014) 2:42min
An idea of Homes (The way people are, 2014) 1:22min
Fred Buscaglione:
Eri Piccola Cosi (Spara!!!, 2013) 2:54min
Che Bambola (Il Favoloso Fred Buscaglione, 1987) 2:27min
Henry Mancini (with Fred Steiner, Joseph Gershenson & Russ Garcia):
Reflection (Jazz on film noir, 2011) 3:02min
Touch of Evil (Touch of Evil original motion picture soundtrack 1998) 3:31min
Terrence Blanchard:
Background for murder (Jazz on Film: Film Noir, 2013) 3:00min
Godfather (Film Noir!, 2013) 2:24
Banda Ionica:
Marcia Funebre (Passione, 1998) 2:53min
Pianto Eterno (Passione, 1998) 5:43min
Bach: Tina Guo, Joseph Meyer, Daniel Rosenboom:
Bach Suite Trumpet (Beginners original soundtrack, 2012) 2:42min
Cecilia Bartoli & Sinfonietta de Montréal & Charles Dutoit & June Anderson:
Stabat Mater, VI Vidit suum dulcem Natum (Scarlatti : Salve Regina – Pergolesi, 1993) 2min
Carlo Buti:
Violin Tzigano (Firenze Sogna, 1990) 1:41min
Peter Salem (composed exclusively for Vendetta, Storie Di Mafia):
SFX21 Train
Ominous Sound of Murder
SFX21 Train 2
Transition Night
Casino Deal
Don Corleone has been shot
Labor Panic
Police Deal with Vincenzo
Knives Ladies
Sunday Afternoon
Sc4a Old - No track
By arrangement with Peter Salem, composer and copyright owner.
Domenico Modugno:
Nel Blu Dipinto Di Blu (Volare), (Nel blu dipinto di blu)
Xavier Charles, Ivar Grydeland, Christian Wallumrod, Ingar Zach :
Le Détachement (Dans les Arbres, 2008) 1:00min