The mythical ballet, with so many versions performed over the years, is coming back to Place des Arts in Montreal, driven by the vision of Krzysztof Pastor, with live music by Les Grands Ballets Orchestra.
Torn between tenderness and desire, white and black swan, a young prince is lost between his two loves. On Tchaikovsky's score, relive this grand love story, set this time in the imperial court of Tsar Alexander III.
A celebrated Romantic ballet, Tchaikovsky’s first ballet composition, Swan Lake, remains incredibly popular throughout the world. In a first ever visit to Montreal, the Polish National Ballet, driven by the vision of Artistic Director Krzysztof Pastor, breaks new ground by presenting this adapted monument of the repertoire.
Preserving the essence of the original ballet, the plot unfolds in Imperial Russia. The Tsarevich Nicholas is torn between his first love, Alix of Hesse, and his infatuation with a ballerina named Mathilde Kschessinska, an affair that causes a stir at the St. Petersburg court on the eve of his accession to the throne. Straddling reality and fantasy, this spectacular production was an outright triumph at its premiere in Warsaw in 2017 and an immense achievement of overwhelming grace.
Tsarevich Nicolas, heir to the Russian throne
Alix-Odette, princess of Hesse, his beloved from his youth
Mathilde, the ballerina Kschessinska, his lover
Tsar Alexander, Nicky’s father
Volkov The Hussar, Nicky’s aide-de-camp
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A Word from choreographer Krzysztof Pastor
Dear readers,
Though Swan Lake is a fairy-tale, our story actually took place in the last years of Pyotr Tchaikovsky's life. The Russian Tsar Alexander III initially wanted to distract his son Nicholas (known as Nicky) from his first love for Princess Alix of Hesse, preferring to offer him the interest of the young Polish ballerina, Mathilde Kschessinska. This dangerous game played with the emotions of the sensitive Tsarevich which led to unexpected results. Nicky did indeed fall in love with Mathilde in earnest, and in moments of passion even declared he would be ready to renounce the throne for her. Fortunately for the House of Romanov, this danger was ultimately averted – the crown prince's common sense and love for Princess Alix won. Sentiments however towards his Polish lover stayed with him for many years to come.
This famed historical episode became legendary, recurring in literature, theatre, film, and operettas, mainly through the once popular play The Tsarevich by Gabriela Zapolska. The legend itself was also fuelled by Mathilde Kschessinska herself, who in France lived to be almost a hundred as an émigré after the revolution. She often proudly recalled her affair with Russia's last Tsar on the eve of his reign. I have returned to that story in my version of Swan Lake for its similarity to Tchaikovsky's famous fairy tale ballet. This fact was noticed by Polish librettist Paweł Chynowski and he was the one to draw my attention to this striking analogy. Therefore, in this production Prince Siegfried turns into Tsarevich Nicky, Odette into his beloved Princess Alix and Odylie becomes Mathilde Kschessinska – one of the most famous Russian ballet stars of all time.
Even with the revised libretto and changed choreography, the production still includes the most valuable dancing sequences by Lev Ivanov (the white act) and Marius Petipa (black swan pas de deux) and I hope such a version of this popular ballet will be interesting for Canadian audiences. Wishing you much enjoyment of this original approach of Swan Lake performed by the Polish National Ballet.
Krzysztof Pastor
Director of the Polish National Ballet
With Les Grands Ballets Orchestra
Our orchestra features up to 70 musicians and superior soloists, and has been playing a major role in the success of Les Grands Ballets for more than 30 years.
Krzysztof Pastor
(White Swans act by Lev Ivanov & Black Swan Pas de Deux by Marius Petipa)
Pawel Chynowski
Piotr Ilitch Tchaïkovsky
Oleksiy Baklan
Piotr Staniszewski
Luisa Spinatelli
Steen Bjarke
3 h with two intermissions
Act I: 35 min.
Intermission: 20 min.
Act II: 55 min.
Intermission: 20 min.
Act III: 45 min.
